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Hey peeps! Long time no see!
The objective of this journal is knowing your opinion about a phrase that I read some time ago. I guess there's some people who argue that traditional art is harder than digital, or vice versa, but I'm not particularly interested in that general discussion.
As I mentioned before, some months ago I was browsing some group/image board/I-don't-remember and there was a guy who asked for advice for drawing digitally because he really wanted to get started on it. One of the replies was something like this "learn to draw on paper first, because your skills will always be reflected on how well you can draw traditionally". Sincerely, I had never thought about it that way, but then I realised that, in my case, it made perfect sense.
In my case, if you take a look at my sketchbook, you'll see it's full of trash. Even the best artworks of my gallery resemble almost nothing to their respective sketches that I drew on paper. That is to say, the sketch only seems like a poor attempt at copying the finished artwork; you can't actually see that sketch as the foundation of the last stage of the artwork. For those who don't know, I feel quite uncomfortable drawing digitally so I usually sketch on paper, then scan the drawing and correct it in Photoshop; then I paint it, etc,etc. Well, after reading that anonymous comment, I realised that I make an awfully big amount of digital corrections to my sketches. That is to say, when I draw on paper I make A LOT of serious mistakes, meaning that my real skill is below where I thought it was or below what my artworks show. For quite some time, I pondered on this fact and I realised that maybe that's the reason why the artworks that I finished during the last two years didn't satisfy me, the reason why they lack dynamism, the reason why they lack innovation. As drawing is the foundation of the artwork, no matter how confident I am in my colouring technique, the artwork will always lack that extra spark of creativity if my traditional drawing skills can't live up to my expectations.
So I concluded that I really need heavy practice of traditional drawing (anatomy, proportions, foreshortening, NOSES, etc) before I can properly move on with my improvement. Otherwise, my colouring might get more crispy and nothing else. But hey, I'm not fishing compliments here. I'm actually really happy that I found a potential reason of my lack of true improvement during the last year. Besides, I have some cool pencils now, so I'd like to practise some shading and stuff.
To sum it up, yes, I agree with the phrase. Drawing traditionally is a very important ingredient to improve. I'm not saying that it's harder to do it traditionally than digitally, I just think it's a very very good exercise.
Thanks for reading!
The objective of this journal is knowing your opinion about a phrase that I read some time ago. I guess there's some people who argue that traditional art is harder than digital, or vice versa, but I'm not particularly interested in that general discussion.
As I mentioned before, some months ago I was browsing some group/image board/I-don't-remember and there was a guy who asked for advice for drawing digitally because he really wanted to get started on it. One of the replies was something like this "learn to draw on paper first, because your skills will always be reflected on how well you can draw traditionally". Sincerely, I had never thought about it that way, but then I realised that, in my case, it made perfect sense.
- But before I tell you about my experience and thoughts, what do you think about it? How often do you draw on paper? When you practise or sketch just for fun, do you do it digitally or traditionally? Does the Ctrl+Z give you more freedom to experiment? Do your traditional drawings and digital drawings look different? Please note that I'm always talking about drawing, not painting.
In my case, if you take a look at my sketchbook, you'll see it's full of trash. Even the best artworks of my gallery resemble almost nothing to their respective sketches that I drew on paper. That is to say, the sketch only seems like a poor attempt at copying the finished artwork; you can't actually see that sketch as the foundation of the last stage of the artwork. For those who don't know, I feel quite uncomfortable drawing digitally so I usually sketch on paper, then scan the drawing and correct it in Photoshop; then I paint it, etc,etc. Well, after reading that anonymous comment, I realised that I make an awfully big amount of digital corrections to my sketches. That is to say, when I draw on paper I make A LOT of serious mistakes, meaning that my real skill is below where I thought it was or below what my artworks show. For quite some time, I pondered on this fact and I realised that maybe that's the reason why the artworks that I finished during the last two years didn't satisfy me, the reason why they lack dynamism, the reason why they lack innovation. As drawing is the foundation of the artwork, no matter how confident I am in my colouring technique, the artwork will always lack that extra spark of creativity if my traditional drawing skills can't live up to my expectations.
So I concluded that I really need heavy practice of traditional drawing (anatomy, proportions, foreshortening, NOSES, etc) before I can properly move on with my improvement. Otherwise, my colouring might get more crispy and nothing else. But hey, I'm not fishing compliments here. I'm actually really happy that I found a potential reason of my lack of true improvement during the last year. Besides, I have some cool pencils now, so I'd like to practise some shading and stuff.
To sum it up, yes, I agree with the phrase. Drawing traditionally is a very important ingredient to improve. I'm not saying that it's harder to do it traditionally than digitally, I just think it's a very very good exercise.
Thanks for reading!
23: -possibly- FREE ART! Taking requests!
I want to draw things, but I don't always know -what- things to draw. So I decided to take some requests, so you guys can have free art of your characters and I can have things to draw, maybe even commission samples for the future, who knows! Certainly, if you like my art, it's a win-win deal.
The only requirement to request artz is being my watcher before this journal was posted. It doesn't matter if you've been following me for two weeks or 4 years. It doesn't matter if we've never talked, if you've never commented or if we haven't interacted for ages. NOTHING MATTERS, only that you're my watcher before this journal. Why? First, because I
22: 5 tips to draw more + Tumblr Updates!
Hey friends! How are you?
Today I'd like to share a very interesting article that I read a couple of days ago. It's on CGCookie (https://www.deviantart.com/cgcookie)'s website, and it's written by Sycra (https://www.deviantart.com/sycra), who is definitely the artist who has taught me the most since I discovered his youtube channel a couple of years ago. The article can be found here . Maybe some of those tips are part of common sense for some of you guys, but for me they were really important so I thought I could share them with you.
In order to put those tips to practice, I'll try my best to begin sketching everyday. Something. It might end up looking decent or crappy, I don't care. Guess the ou
21: Awesome Adoptables Raffle!
Dude. Have you seen DrGriswald (https://www.deviantart.com/drgriswald)' adoptables? If not, you're really missing some good art and amazing character designs. Go check out her gallery and also check out the raffle she's running at the moment, it's a great chance to win a character with an unique look. Spread the word!
RAFFLE:
19: Alchemy, a must-try art software
Although it's quite likely that you've already heard of it, I'd like to recommend a very-creative artistic software: Alchemy . As their developers define, Alchemy isn't a program that you would use to create a finished artwork, but a mean to trigger your creativity. You can brainstorm a lot of ideas in a matter of minutes and the program itself is so interesting and entertaining to use that you feel like you're playing with it. Besides, it's amazing how random shapes and lines can make your brain generate ideas and get inspiration for a new artwork.
Not to mention another appealing feature of this must-have software:
For quite some months (a
© 2014 - 2024 Ainu-kun
Comments10
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Hey Ainu ^^ maybe my opinion is not so deep as others because I simply don't have the digital art comparison, but I would like to say a few things I noticed on myself.
Drawing Traditionally I often feel trapped. I feel trapped by the idea I can't go back once it's done. That is for all the lining and colorings I do.I feel encaged by the fear of making mistakes and once I do because maybe I used the wrong color ,or I pressed too hard, or simply the light and shadow relation ist completly wrong, I can try to earse it but it's difficult on paper and damages the drawing more. Sometimes I am that stubborn that I just redraw it! I make several sketches of one and the same drawing before, than trace it (I am a happy owner of a lightbox) on a fresh paper to line it and color it. Most of the timesI use the other sketches to test out colors, which sometimes helps with the actual drawing, but somehow reduces my happyness of coloring. Lately I have been trying to fill up one sketchbook entirely, for some reason I have several started but neither of them completly finished, so I am trying to fill up one. I am going back with just sketching whats on my mind because that is what I enjoy most! I actually often find myself drawing with a simple pen too because this is what happens in my mind: sketching with pencils I know I can erase as much as I want and I get frustrated, but sketching with a pen knowing I can't go back makes me happier and more free to experiment!
I just noticed I have a lot of contradicting feelings xDD I just know that while I feel sometimes restricted with my traditional art coloring I feel too overhelmed by digital colorings! The simple fact I have endless possibilities of color options makes me sick. to sum it up I think this 'no turn back' factor is the thing that makes traditional art more thrilling? Mabye? I don't know. I am not sure wether to agree or disagree with the comment of the anonymous person but as said before the skill of an artist is not necessarily dependand on the medium.
Drawing Traditionally I often feel trapped. I feel trapped by the idea I can't go back once it's done. That is for all the lining and colorings I do.I feel encaged by the fear of making mistakes and once I do because maybe I used the wrong color ,or I pressed too hard, or simply the light and shadow relation ist completly wrong, I can try to earse it but it's difficult on paper and damages the drawing more. Sometimes I am that stubborn that I just redraw it! I make several sketches of one and the same drawing before, than trace it (I am a happy owner of a lightbox) on a fresh paper to line it and color it. Most of the timesI use the other sketches to test out colors, which sometimes helps with the actual drawing, but somehow reduces my happyness of coloring. Lately I have been trying to fill up one sketchbook entirely, for some reason I have several started but neither of them completly finished, so I am trying to fill up one. I am going back with just sketching whats on my mind because that is what I enjoy most! I actually often find myself drawing with a simple pen too because this is what happens in my mind: sketching with pencils I know I can erase as much as I want and I get frustrated, but sketching with a pen knowing I can't go back makes me happier and more free to experiment!
I just noticed I have a lot of contradicting feelings xDD I just know that while I feel sometimes restricted with my traditional art coloring I feel too overhelmed by digital colorings! The simple fact I have endless possibilities of color options makes me sick. to sum it up I think this 'no turn back' factor is the thing that makes traditional art more thrilling? Mabye? I don't know. I am not sure wether to agree or disagree with the comment of the anonymous person but as said before the skill of an artist is not necessarily dependand on the medium.